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A founder of the National Film Criticism Workshop participated this year in the event with a presentation about his other creation: the Digital Encyclopedia of Cuban Audiovisual (ENDAC, for its acronym in Spanish). Adelante.cu shares its notes taken from Facebook:

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In development Cinematographic Criticism Workshop

Cuban critics incorporate audiovisual language resources to participate in the 26th edition of the National Workshop of Camagüey, where they usually share presentations on Cuban and world cinematography.

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Heritage: Rumba and Punto: in defense of traditional culture

Designed by the Office of the Historian of the City of Camaguey to safeguard and promote popular and traditional Cuban music genres, the project Patrimonio: Rumba y Punto (Heritage: Rumba and Punto) remains alive and kicking throughout social networks.

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In spiritual harmony with the art of Oscar Jr.

When the pandemic began, what was known about Oscar Jr. Rodríguez Martínez (Florida, 1979) through social networks we owe to his girlfriend. He was reluctant to those spaces on the Internet. Thanks to her, he began to appear little by little, and he has taken so much pleasure in it that he set himself the challenge of publishing the result of painting abstraction projects every morning.

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A day to celebrate the son in Cuba

Why isn't there a day to celebrate son? Thus began the outstanding son musician Adalberto Álvarez to sow the idea among cultists, musicians, specialists, music lovers and dancers in general. In just months, May 8 had already been proclaimed as Cuban Son Day.

The term streaming in English identifies a type of multimedia technology that sends video and audio content to a device connected to the Internet. Adelante presents the pioneering project in Camagüey.

Camagüey takes on the challenge of digital humanities

With the agreement to hold a workshop on digital humanities in this city, the 5th Meeting of Audiovisual Culture and Digital Technologies concluded, which led to an exchange between specialists from Spain and Cuba.

She was born into a musical home with a mezzo-soprano range. Grandfather Blas González played percussion and made the second voice of the Voces del momento quartet. Her father, guitarist Rogelio Acosta led the Girón group. Her mother, Carmen María, was in the Camagüey Professional Choir. Her sister Yelene focused on singing as a child. Everything would have been easier, but Yicel Acosta González chose to fight her way. She has been enduring for 20 years because her career has had too many obstacles.

The Provincial Center for the Book and Literature (CPLL) will dedicate its next virtual session to 60 years after the victory of Girón, with the publication of talks, presentations and videos, from April 15 to 19.

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