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Songs to heal

He arrived in Camagüey with the guitar at the ready, three months after the COVID-19 pandemic broke out in Cuba; and before the harsh confinement he met the right people to share a sense of music and develop projects. Everything has flowed with Pedro Sánchez in this city because he offers songs to heal.

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Along the route of the Plaza

The squares are the space where the private and the public find a balance. If we travel to the birth of the city, we will find them as a heart. Around them the urban body began to organize itself. They are the memory of everything because there the inhabitant will always stop to breathe, to dissipate anxieties, to share joys and to entrust great projects.

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I want him to breathe, Martha Jiménez said to herself while she gave shape to the idea of ​​a sculpture for the writer Nicolás Guillén (1902-1989), finally unveiled con July 10 in his hometown, on his 120th birthday.

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The great music and performing arts groups of this city have the privileged space of the summer billboard of the Principal Theater that already invites you to enjoy Carmen by the Camagüey's Ballet (BC).

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As a prelude to the 13th Nicolás Guillén International Festival and Colloquium, the newspaper Adelante shares from today snapshots of photojournalists who focused here on the National Poet of Cuba.

The initial verse, transformed into the headline of the commentary, intends to recognize the inner child of the journalist, the Camagüey’s writer of intense and novel literary work Nicolás Guillén Batista, who also dedicated children's texts, with the same fervor with which he expressed his political ideas, among them the socialists, not well appreciated by their contemporaries, especially because of the color of their mulatto skin.

The Nicolás Guillén International Festival and Colloquium will leave Havana for the first time to develop its 13th edition here, in the birthplace of the National Poet of Cuba, from July 6th to the 10th.

 A peasant from Amancio was taking a teacher's course at the Rural Worker's College in Santa Cruz del Sur, when Raúl Ferrer, the author of Romance de la Niña Mala, appeared and at that precise moment the course of his life changed. Silverio Martí Soto remembers the poet and pedagogue acting as Minister of Education. He was looking for students for a school to train national broadcasting workers. It was 1967 and he qualified among the chosen ones.

The emotional landscapes that the young man from Camagüey, Víctor Manuel Cisneros Álvarez, exhibits in the República 289 gallery, in this city, recall the anecdote of the Spaniard Joan Miró when under a blue stain on a white canvas he wrote “this is the color of my dreams”.

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