CAMAGÜEY.- If you've never spoken to Humberto Delgado Fernández, don't judge him by his dreadlocks. He is the main architect of the renovated Teatro Principal park and the pedestrianization project for Independencia Street, of which he was able to execute only Coppelia Park at the same form. He graduated from the University of Camagüey with a proposal to restore the Knights of Light lodge located on Avenida de los Mártires. Unfortunately, he said, thesis projects almost never come to fruition. Let's hope this one does.
He is no longer able to ride a skateboard in Agramonte park or any other, because he could hurt someone and damage property. When he has time, he takes the board to ride through a neighborhood with wide roads like Garrido. He, too, has not given up on getting a skateboarding track project approved. If skaters had a space, perhaps damage to public ornamentation would be avoided.
Additionally, Humberto plays acoustic guitar in the band Desbroce. He took the stage during the 20th Sounds of the City Rock Festival, developed by the Hermanos Saíz Association of Camagüey from May 30th to June 1st.
CAREER AND PROJECTION
Although he is young, he already leaves a mark on the architectural panorama of Camagüey. His key participation in the remodeling of the Plaza del Teatro Principal was crucial to enhancing such an emblematic space in the city. From the rehabilitation of Aisar Jalil's sculpture to the integration of modern elements that respect history and heritage.
The work extends to projects such as Coppelia Park and the pedestrianization of Independencia Street, both challenges that he has addressed with creativity and a deep respect for the urban environment. The connection between academic training and sensitivity towards cultural heritage has been evident.
Coppelia Park represents a significant milestone in his career as an architect. Located in the heart of Camagüey, this project has not only revitalized a crucial public space, but contributes to the cultural and social life of the city. With a focus on accessibility and aesthetics, the park now serves as a gathering point for residents and visitors, offering green spaces, recreational facilities and spaces for community events.
—What has been your approach in these projects for Camagüey?
—Each project is an opportunity to give something back to my city. Coppelia Park, for example, is an iconic space that many generations have seen. We wanted to preserve its essence while improving its functionality for the community. It's like a balancing act between the historical and the contemporary.
—How did you prepare to take on these complex challenges?
—My training at the University of Camagüey was crucial, although professional reality surpasses any theory. It has led me to learn as I go, adapting to the needs of the project and the expectations of the community. Furthermore, the influence of UNESCO in the historic center of Camagüey forces us to be meticulous in each intervention.
THE MUSICIAN IN THE ARCHITECT
But Humberto is not only defined by his architectural achievements. As an empirical musician, he has found in rock a way to express his creativity and passion. Co-founder and guitarist of the local band Desbroce, he has navigated between musical notes and architectural plans with equal skill. His multidisciplinary approach is reflected in how he integrates aesthetics and structure, both in his musical compositions and in his urban designs.
He has played in several local bands, exploring genres ranging from alternative rock to jazz. This facet enriches his personal profile and influences his creative approach as an architect, because he seeks to integrate cultural and social elements into his urban designs.
—How has music influenced your work as an architect?
—Music and architecture share that ability to create emotions and experiences. My musical experience has taught me to value harmony and rhythm in urban design. For example, in the Teatro Principal, I tried to capture that majesty that inspires performing art and bring it to the remodeled square.
PERSPECTIVES WITH CAMAGÜEY
Looking to the future, Humberto hopes to continue contributing to the cultural and architectural development of Camagüey. His vision includes projects that not only enhance the city's aesthetics, but also promote inclusivity and sustainability. “The city has a living soul,” he says with conviction. “My goal is to preserve its history while preparing it for the future.”
—What is the city you are trying to project?
—I would like to project a resilient city, capable of facing contemporary challenges with adaptability and strength. But also a cultured city, which promotes coexistence and culture among people.
-And your expectations as an architect?
—I hope to continue contributing to the sustainable growth of the city. I want to see more inclusive and accessible public spaces for all Camagüey's inhabitants.
Humberto Delgado Fernández is not only a visionary architect, but also a musician and a citizen committed to his ability to create spaces that not only beautify, but also strengthen the cultural identity of Camagüey.
Translated by Linet Acuña Quilez